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"Rocky" vs. "Rambo" – Which Sylvester Stallone movie series is the best?



Tonight for Your Entertainment: A fight between two franchise films with the same actor, Sylvester Stallone. In the blue corner was the Rocky series, born in 1976, on November 21st of this year (release of Creed II ) with a total of eight films. In the red corner, the series by Rambo currently only half as many titles, with a fifth title for a release of 2019 in the works and, let's face it, clearly Rocky stand the department of exaggerated ridicule (though Weird As a powerful need to parody both, that says it all).

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Maybe the box metaphor is unfair. Rocky Balboa is finally at home in the ring. John Rambo, on the other hand, is a swollen fish out of the water in a state of hyper consciousness and definitely stunned by why he is in a boxing ring and how he got to hell there in the first place. But with Creed II it came hot, and Rambo: Last Blood promises bloodthirsty audiences at least an hour and a half of crimson, through and through batshit spurned chaos in September & # 39; 19 around the age-old Question: Which is the better franchise?

If you are not the competition, the answer is simple: you can Rocky and Rambo ! It is legally allowed. But competition is in Rocky's s blood, and as Rambo competes with any mass-destructive action film ever fought for body-count boasting rights, it's […] also considered competitive. Stallone, 72 years young, remains mainly defined by Rocky and Rambo . That does not mean that they are everything he has to his name. The Lords of Flatbush Demolition Man Cop Land Cliffhanger and Nighthawks . Weapon on your head, Stallone's name sends your brain directly to Rocky or Rambo, maybe to both.

So who is the better character? Which franchise surpasses the other? In the canon of pop culture that enjoys the most seal of approval or had the most seismic impact?

When a fight breaks out on a stage, you usually have to wait until the end to find the winner. In this particular case, the winner is Rocky and it's not even close.

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Everyone has their favorites and if you are more for Rambo than Rocky you have more power. But, pound after pound, the latter has in each category the first beat that counts: in character, in narration, in iconography, and in overall quality, with the necessary caveat that the films of Rambo are turned into Bonkers Waters are also the Rocky films. It's not Perfect But to understand why Rocky is the superior franchise, you just have to ask yourself the following purely scientific and qualitative questions:

Who would I rather be?

Be real: She would rather be Rocky. Rocky has his own demons in combat – his self-esteem, on the one hand, an umbrella that protects the problems of his upbringing, his struggle to find meaningful adult work, and his wounds in the ring. Over time, these demons are accompanied by ghosts: Adrian Pennino (Talia Shire), the love of his life, who was struck by ovarian cancer in 2002; and Apollo Creed, his best friend, recorded by Ivan Drago (Dolph Lundgren) in 1985 Rocky IV . Creed of 2015, Rocky has been diagnosed with non-Hodgkin's lymphoma, a new but cruel familiar adversary for whom he is ill-prepared and whom he encourages with his protégé, the son of Apollo (the great Michael B [Jordan9]

Rambo is a whole bunch of other pieces of baggage: a Vietnam war veteran suffering from PTSD and Survival, two components of a built-in trigger mechanism that puts him in guerrilla combat mode. (Admittedly, it's not that The simplest of them is a group in which Rambo fills up the lawyers in Hope, Washington.) To say you'd rather not live your life, if you're dealing with either of them may be insensitive, but you'd be lying if you said something else.

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You are probably from people like John, a destitute veteran They have run in public places and have pretended that they do not exist. If First Blood earned over Rocky this is the pro-soldier sentiment, a criticism against the custom of the American government to repel their troops after coming home from the front lines while trumpeting the support of military forces for political brownie points. In First Blood there is a contemptuous line, a rage on a system that chews and spits on fighting men, a line that is led through the franchise with varying results. Follow him to his logical conclusion. You will think the same way you did when you entered.

You do not want to be John Rambo. Maybe you do not want to be Rocky Balboa – choosing between them is not a good choice at all. Nevertheless, Rambo is a victim of the American military industrial complex. Rocky is the pinnacle of the American Dream. He is the boy who can win everything out of nothing. Under soft light, this analysis is one-dimensional. Nevertheless, "Hometown Hero Boxer" on paper is more appealing than "broken green beret". You want to show your sympathies to Rambo, but all your wish fulfillment fantasies invest in Rocky.

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What would I rather hear?

" Rocky or Rambo " is an argument that can be easily manipulated into theme songs: try using YouTube to lift their themes from the depths of your memory. If you are not Rambo -Stan or have an exceptional ear for musical numbers, Rocky stands out. No disrespect for Jerry Goldsmith and his Rambo theme; Just listen to a few notes and you will feel like you are turning a car with your left little finger while you are chopping off a tree with your right little finger while you are beating a grizzly bear with your head. It's a muscular piece of music that's well suited to its theme (even if it's ultimately about institutional neglect and not rah-rah, ass-fuck jingoism).

But wake up before dawn, open your headphones and set up Bill Conti's "Gonna Fly Now", and you'll run marathons up and down the Rocky Steps, beat up raw eggs and get in the fight for the fresh ones Hell, the day holds for you. "Gonna Fly Now" is an all-timer program among the Pumpup tracks that crystallizes the mind of Rocky the movie, and Rocky the character, in a matter of minutes of motor-sized size. You will hear Goldsmith if you are already on your way to keep yourself going. You listen to Conti to girdle your spine with grain, and stubbornly decide to overcome the obstacles on your way.

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What would I rather see?

The most important and self-evident question is best saved for the last time because it is also extremely subtle. Of course, it's about subjectivity, but also about gradations: Do you compare Rocky as a whole with Rambo in total or single films with individual films? For example, suppose you see Rocky or First Blood in mind. Which one do you choose? First Blood far and wide, is the best Rambo film; Rambo from 2008 is a much better fourth entry than should be expected 30 years after Rambo III but it is a damn sight less than First Blood . Rocky is meanwhile a Hall of Famer by any metric: It's one of the best sports movies of all time, one of the best underdog films ever, one of the best American ] films Of all times and one of the best films of all time, period. Maybe there is no perfect movie, but Rocky comes as close as one of the greats. If you need inspiration, motivation, excitement or just a good cry, look Rocky . It is always there for you, no matter what you are going through.

First Blood is a tighter experience, a sinister action-suspense story that's in the right mood. It is still great! It's just not as tough as Rocky . Then you come in for the other Rambo movies that do not care so much about First Blood 's central interests and that over time The Hard . and are increasingly turning into set pieces and performances of superhuman bathwater, both of which undermine what makes the first movie so good. Not that you should not avoid the sensational joys of seeing a man driving a tank into a helicopter, or pulling a guy's neck with his bare hands, but these things are not the stuff of First Blood . They do not fit into the narrative she sets for Rambo.

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You can make the same argument about Rocky 's offspring, although at least these have the good grace to wait for the deep end to be about Rocky IV is abandoned. Rocky III is at the abyss of the inflection point of the franchise, probably worse than IV but you can decide for yourself if this is an argument that you are worth) the Rocky movies return to the features of the series, first in 2006 Rocky Balboa then in Creed made the comeback a ballast of '# 08 [8]. Rambo is missing. Abruptly we remember Rocky (Rocky ) about Rocky and Adonis, the protagonists of the series in our current moment. Just as Rocky dealt with the class, so Creed that also touches the American race and filters its emotional power through Adonis' main objective: to prove that he is "no mistake is "to watch this moment caught during the last fight of the film without getting a lump in the throat.

Emotion, not muscle, is the place where Rocky draws his power. Boxing sequences are part of the thrill of the franchise. They sometimes watch these movies for sparring, or you have very little reason to even look at them. In contrast to Rambo an action series supported by characters and emotions, Rocky is driven by character and emotions and supported by boxing. It is to the delight of Rocky to see men beating blows in the ring, but it is not the foundation of the story, and that is above all the reason why Rocky endures it and it continues to claim its relevance goes well beyond the birth of the franchise.


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