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Everything we know about Netflix's The Highwaymen



The First Thing You Need to Know About Netflix's Original Film The Highwaymen is that this is not a biography of the supergroup, in which Willie Nelson, Johnny Cash, Waylon Jennings, and Kris Kristofferson ( although this is the case) a little surprising that one of them has not happened yet, right? a biopic of unrelated folk music from the 1960s.

But this new movie is still based on facts: it's Frank Hamer and Maney Gault, the real Texas Rangers hired to arrest (really pursue) the Depression era celebrities Bonnie Parker and Clyde Darrow Basically, this is the law enforcement site of the classic 1

967 film Bonnie and Clyde with the famous outlaws seen from stoic distance. Here we try to answer all your urgent questions.

Who is in The Highwaymen?

Kevin Costner and Woody Harrelson play Hamer and Gault, respectively. They spend a lot of time in a car together, although it saddens us to report that the resemblance to True Detective is mostly superficial. Harrelson is a bit more fun with his role because of his adorable, ever shorter person; Costner plays super straight, frowns and spoils the mindless crowd that adores Bonnie and Clyde for tying it to the man (though Costner's character is constantly pointing to many naive young dummies looking for a good tail lecture, she) are also careless murderers).

But who plays Bonnie and Clyde?

Emily Brobst and Edward Bossert, both of whom are professional stunt performers. This is not an action thriller in itself, but Bonnie and Clyde have a ghostly presence. Their faces are barely visible until the second half and then still only short. It's hard to say whether that meant talking about her reputation towards the end of her bank-robbing career, or whether the film was trying to make her look scary, but only ultimately had a mythological effect. 19659003] Who made it?

The director is John Lee Hancock. Hancock began as a scriptwriter and wrote some of Clint Eastwood's 1990s movies, including A Perfect World with Kevin Costner (which is actually one of Costner's best performances). As a director, Hancock briefly served as a kind of Disney version of Eastwood and shared Eastwood's later career interest in various parts of America and history. For Disney, he made the expensive Boondoggle The Alamo and more successful Saving Mr. Banks a retrospect on Mary Poppins and Walt Disney. Outside of Disney, he directed the rising Oscar nominee The Blind Side and the thornier, more interesting story of McDonald's The Founder . The Highwaymen fits perfectly in his wheelhouse, for the better and for the worse.

Is there a trailer?

Of course! It advertises something more powerful and snappier than what this film really is, but has the following:

How and when can you see it?

Technically The Highwaymen is out! At Netflix, as they sometimes do with their higher-profile releases, the film was a brief theatrical run on March 15, two weeks before its streaming debut. These releases are rarely particularly broad, not least because most major theatrical chains refuse to show films without at least 90 days (ie, 90 days between the film's debut in the movie and its release at home). For example, in Manhattan, one of the largest cinema cities in the United States, The Highwaymen plays on exactly one screen.

So, how is it?

To be honest, a bit expert. It's hard to deal with the fact that Hamer and Gauilt are not as interesting in this story as the Bonnie and Clyde, who played Warren Beatty and Faye Dunaway in the 1967 movie. It's not a fair comparison, but it's a movie that really invites its existence. In 132 minutes, the movie feels like a jerk; The issued tracking work is methodical and again rigorous in rigorous mini-lectures on how dangerous it is to romanticize those outlaws.

Although the film is a little tired, Eastwoods enjoy the advanced age of the main characters – Costner's Hamer is not even designed for a relatively thrifty pursuit, and Harrelson's Gault has to stop urinating – after all, it does not say much about it except these classic cars can still do the job. Hancock's The Founder is not ambiguous (even in this film he did not always feel at ease). Costner had some career successes with a history channel miniseries. The Highwaymen sometimes feels like one of them in a condensed but still undefined way.


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