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Better than the average Netflix action movie

The debate over Netflix Original Movies and its relationship to the traditional theatrical experience heats up again, this time because of the suggestion of filmmaker Steven Spielberg that Netflix films meet certain theater release restrictions in order to be eligible for Academy Awards. Although the debate is worthwhile – and apparently also affects Tony Netflix productions such as Roma and The Ballad of Buster Scruggs – the vast majority of Netflix Originals are not actually intended for large-screen viewing. The company gives voice to many worthy filmmakers, including talented minority directors who were not really enthusiastic about the studio system. There are also a lot of movies that look good on the couch while you look at your phone regularly.

Usually, Netflix & # 39; s signal limited shoot-outs in movie releases, especially to signal which of their films they consider to be the main prize candidates (or which of their filmmakers simply insist on a kind of theatrical availability). In this regard, her new film Triple Frontier is neither here nor there. A limited and exclusive theatrical release will be released today, one week before it will be released on Netflix on March 1

3th. It's neither a price game nor a low budget quickie. It's a serious, but not particularly rigorous, dramatic thriller aimed at adults, with some familiar faces, including a few real movie stars – just the kind of movie in which big studios shot at a lot more frequencies. In fact, Netflix took over Paramount's movie after several false starts, which were played by a variety of different stars.

The stars on which this version lands are Ben Affleck and Oscar Isaac, two members of a close-knit group – formerly special forces who dispersed after the end of their military careers. Santiago (Isaac) arranges a reunion as he finds out through a contract job in South America that the group could murder a powerful drug lord and deter himself with much of his vast fortune. He designs it for his buddies as a mission in which they perform well but are finally paid for it. It is not an ineffective pitch, especially since Tom (Affleck) for the first time tried unsuccessfully to sell a shabby condominium. The civilian life is not exactly in line with him. Ben (Garrett Hedlund) earns his living as the ultimate low-rent fighter, while his brother William (Charlie Hunnam) engages with young military recruits. Francisco (Pedro Pascal) has difficulty finding work after a drug arrest. Although some of the group are reluctant to take back the weapon and go into the jungle, they all realize that a paycheck gig may be long overdue.

The Screenplay by Mark Boal ( Zero Dark Thirty ) and director JC Chandor ( All Is Lost ; A violent year ) is the financial motivation in the Foreground. but in a maneuvered, relatively uncomplicated way. Triple Frontier is not exactly a deep jump, psychologically, and although the military thriller "Man in a Mission" is associated with the mechanisms of a theft movie, he is not as adventurous in his genre riffing as we say Steve McQueen's Widows from last fall.

The five leading actors have a pretty simple chemistry – it's about time someone hikes the It Boys Hedlund and Hunnam as brothers! – but only a few characterizations have much detail. There's the Honorable Soldier, the Wilder Soldier, the Pragmatic Soldier, and Affleck as the divorced Dad Soldier. Obviously, Tom has gone out of his way to reintegrate himself into normal civilian life, and Chandor gives up his failure (living in his ex-garage, drinking beer while driving his teenage daughter around, a dreadful broker) , more time to sting and stay. Affleck, often strongest in character actor mode, offers robust, low-vanity performance.

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Ben Affleck in Triple Frontier .


Ultimately, Tom's story adds only a few graces to the film show: Most of Triple Frontier devotes itself to the robbery and its descendants, thereby giving Chandor the chance to enjoy his genre skills. All Is Lost and One fierce year had genre elements and perhaps were more convincing than methodically driven thrillers than drama. Triple Frontier moves faster, but it has many deep black shadows that Chandor preferred to Violent Year : the few who put it on Seeing a large scale will visually get their money's worth, and when the team creeps into the drug dealer's jungle villa, the tension remains in an impressive fashion, even at moments that are not t are calibrated for maximum voltage.

In many robberies, this tension depends on whether the criminals can get away with their theft and improvise out of unforeseen tight corners. Triple Frontier does not bathe in the dark, but Chandor creates enough discomfort that the tension depends more on how and when something goes wrong, not whether it's right or not. In its final section, the film transforms into a survival story with attacks by The Treasure of the Sierra Madre . It's captivating and more than a bit old-fashioned, which is sometimes a relief. Films such as Triple Frontier are now more frequently filmed by Peter Berg with Mark Wahlberg (who was associated with it at one point) and manage to be suddenly more flashy, vicious and solemn patriotic.

Stoicism prevails in Triple Frontier (19459003). It's not exactly a game, and it's not very thoughtful to realize that veterans are often left in precarious and unfair financial situations. As it turns out, Netflix has found and rescued a more retro form of occasional couch-watching: a film that, if not for its relatively current cast, could have appeared on TNT sometime on a Sunday afternoon sometime in 2002.

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