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10 classic black horror films



black horror films

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A full history of horror films is no doubt tied to a past of racism, tokenism, and stereotypes. In the 2019 documentary by filmmaker Xavier Burgin Horror Noire: A History of Black Horror (based on a 2011 novel by Robin R. Means Coleman, Ph.D.) black directors, actors, and producers explore the complicated history of blacks, particularly from the perspective of a genre that has slowly evolved since the beginning of the 20th century.

And there are signs that things have changed a lot lately, given the massive success of Jordan Peele’s directorial debut. Go outas well as their tracking, UsBoth reflect or otherwise comment on the modern experience of black Americans. Together with Burgin Men health made a list of iconic horror films made by black directors or starring black actors who are worth seeing (and re-viewed a few dozen times), from a classic to the latest Box office hits.

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Night of the Living Dead (1968)

In many ways, the story of black horror film begins with it – the first flick in the genre to feature a black actor (Duane Jones). “For the first time, you really see a black actor who takes control of the situation and plays the lead in a way we hadn’t seen, especially in the late 60s,” says Burgin. At the time of its release, when black protagonists portrayed in the film were incredibly rare, director George A. Romero said Jones was cast because he was “just the best guy for the job.” After his death in 1988, Jones will forever immortalize an essential figure in horror films and film in general.

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Candyman (1992)

What begins as a student’s quest to debunk a Chicago-born urban legend quickly dissolves into a complex story that explores both race and oppression. (The film is seen as a representation of the fear of urban society in the 1990s. However, critics point out the problematic situation of black men persecuting white women.) Look out for Jordan Peele’s remake in 2021 that starred MH Title star Yahya Abdul-Mateen II.

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Get Out (2017)

Jordan Peele’s 2017 directorial debut, now a horror film master himself, changed the entire game. The film uses typical horror movie tropes (masked villains, the occasional jump scare) and is unique for its nuanced criticism of modern racial relations in America.

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Us (2019)

Horror films with black actresses are far and wide in between – the year 1974 Sugar Hill has been called one of the first films to do this – but over the past few years this has gradually changed. Peeles Us, brilliantly directed by Lupita Nyong’o, is an example of a handful of horror films that change the face of Scream Queens and Final Girls.

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Blacula (1972)

Directed by a black director (William Crain) and with a black actor (William Marshall), the 1972 film tells the story of an 18th-century prince sent to Transylvania to persuade Dracula to end the slave trade. The film is believed to have spawned 1970s blaxsploitation films, an ethnic subgenre of the film aimed at black audiences and featuring black protagonists. “In the 1970s, as a 23-year-old black man, Crain made one of the most important and well-known films in the industry,” says Burgin. “It was unprecedented.”

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The Girl with All Presents (2016)

Based on a novel of the same name, this film revolves around the character of Melanie (played by actress Sennia Nanua), who has a “gift”: She is a sentient zombie child who is able to satisfy her urge for human flesh (for the Mostly). The fact that the film plays a young black actress is a major premiere in and of itself.

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Eve’s Bayou (1997)

The film, with Jurnee Smollett and Samuel L. Jackson, tells the story of a young Louisiana girl in the late 1990s and her memory of an event in the summer of 1962. “Some people don’t think it’s horror because it isn’t.” I’m not terrified, but I think it’s some kind of South Gothic horror film, “says Burgin.” There aren’t too many films like this. “

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Tales from the Hood (1995)

This cult hit, produced by Spike Lee, tells four stories based on issues affecting black communities in the 1990s, including police violence and systemic racism. More than two decades later, a sequel was created. Lee credits the success of Go out as a reason for pursuing a second film.

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Ganja & Hess (1973)

This cult classic follows an anthropologist (played by Night of the Living Dead Duane Jones), who is stabbed by a dagger – and receives the power of immortality. “It’s a vampire story in a more intimate, honest, and revolutionary way that you don’t see in most popcorn movies,” says Burgin.

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Horror Noire (2019)

Not a horror film, but an engaging documentary by Burgin about the evolution of the roles of blacks in horror films, which includes many of the above films as well as other iconic films in history. Think of it as an essential consideration.

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